Here is a list of pieces with keyboard part already completed that are finished except for minor conformity changes. If you would like to purchase any of these, please email jayscheide@comcast.net and we will make them top priority and notify you when they are ready, probably very quickly.
Notes:
1. These pieces are by J. S. Bach and for Alto Recorder unless otherwise noted.
2. Capital letter means major key, lower case means minor key, e. g., F# = key of F# major, and g = key of G minor.
3. If you want these pieces for Alto and Keyboard to be transposed for C instrument (or voice flute, etc.) and Keyboard, this will probably mean a significant delay unless you want the recorder part only, which can be provided with no extra delay.
4. "For Sop/Alto" means: Doubling (i. e. using both) Soprano and Alto Recorders.
5. Dulcinea Press works very hard to make these arrangements as good as possible. But if there is something wrong in the format or other problems you are not satisfied with, please email us so we can make corrections, and send a new and improved PDF file. With this (relatively) new technology, it is far easier than ever to revise even very small but important details.
6. Requests for transcriptions not already offered are welcome and will have a good chance of being fulfilled if they are in accord with the aims of the site (and if the original is available to us).
From: Concertos
BWV 1059 reconstructed from Cantatas 35 and 1056: The Sinfonias from Pts. 1
and 2 of BWV 35, transposed to g, sandwiched around your choice of slow movements--based on either the aria 35/2 or on the middle mvt. of BWV 1056; specify which slow movement you want. (The fragment BWV
1059 shows that Bach intended to write a concerto in a fashion such as this; J.-P. Rampal is among those who have recorded versions.)
BWV 1046, Brandenburg Concerto No. 1 in F, transposed to Bb
Trio
BWV 1047, Brandenburg Concerto No. 2 in F
Keyboard accompaniment to original recorder part
BWV 1048, Brandenburg Concerto No. 3 in G, transposed to F
3rd movement
PLEASE DON’T FORGET TO CHECK THE CATALOG—AND THE LINK TO “PIECES FORTHCOMING WITHOUT KEYBOARD PARTS”—FOR MORE PIECES IN THIS CATEGORY.
From: The Well-tempered Clavier, Book One
BWV 852/2 Fugue #7 in Eb, transposed to G; ask for hard version or
harder version; see also (slightly) easier version in Bb in the catalog
From: French Suites
No. 2, BWV 813 in c, transposed to g
Courante
From: Two-Part Inventions
No. 8 in F, BWV 778, in original key
From: Miscellaneous Keyboard Music
BWV 906, Fantasy, and the unfinished Fugue (reconstituted with a da capo), in c, transposed to g
BWV 802, Duet No. 1, transposed from e to g
BWV 805, Duet No. 4, transposed from a to d
From: Other Organ Works
BWV 682, Vater unser im Himmelreich, transposed from e dorian to a dorian
PLEASE DON’T FORGET TO CHECK THE CATALOG—AND THE LINK TO “PIECES FORTHCOMING WITHOUT KEYBOARD PARTS”—FOR MORE PIECES IN THIS CATEGORY.
From: Suites for Cello Solo
BWV 1012 Suite No. 6, transposed from D to G
Gavottes I & II
From: Suites for Violin Solo
BWV 1001 Sonata No. 1, transposed from g to c
Presto, after Brahms (as well as Bach), whose piano arrangement was used as a basis of the Kbd. part.
BWV 1002 Partita No. 1, transposed from b to d
Tempo di Borea
From: Chamber Music
BWV 1019a, Alternate version of Sonata No. 6 for Violin and Continuo
(Also exists as an Aria in Cantata 120)
3rd movement: Cantabile, ma un poco adagio, transposed from G to Bb
PLEASE DON’T FORGET TO CHECK THE CATALOG—AND THE LINK TO “PIECES FORTHCOMING WITHOUT KEYBOARD PARTS”—FOR MORE PIECES IN THIS CATEGORY.
From: Cantatas
BWV 7, Christ unser Herr zum Jordan kam
Opening Chorus, "Christ unser Herr zum Jordan kam," transposed from g to c
Aria, "Merkt und Hört," transposed from G to Bb, with newly composed bass part
BWV 41, Jesu, nun sei gepreiset
Aria, "Woferne du den edlen Frieden," transposed from a to f (there is a version in the Catalog in d)
BWV 51, Jauchzet Gott in allen Landen!
Aria, "Jauchzet Gott in allen Landen!," transposed from C to F
Chorale, "Sei Lob und Preis mit Ehren," transposed from C to F
BWV 55, Ich armer Mensch, ich Sündenknecht
Aria, "Erbarme dich," transposed from d to e
BWV 99, Was Gott tut, das ist wohlgetan
Aria, "Erschütt're dich nur nicht verzagte Seele," transposed from e to g for alto or to d for tenor (please stipulate)
BWV 102, Herr, deine Augen sehen nach dem Glauben
Aria, "Erschrecke doch," (also derived from the "Quoniam tu solus" of the Mass in F Major, BWV 233) transposed to c
BWV 140, Wachet auf, ruft uns die Stimme
Opening Chorus, "Wachet auf, ruft uns die Stimme," transposed from Eb to Bb
From: Miscellaneous Vocal Works
BWV 234, Mass in A Major
Aria, "Domine Deus" transposed from f# to d, for alto/sop.
BWV 249, Easter Oratorio
Aria, "Saget, saget mir geschwinde," transposed from A to F
PLEASE DON’T FORGET TO CHECK THE CATALOG—AND THE LINK TO “PIECES FORTHCOMING WITHOUT KEYBOARD PARTS”—FOR MORE PIECES IN THIS CATEGORY.
From: Other Composers
G. P. Telemann (1681-1767):
Duet for two recorders in c, available in c or in d; for these duets, Recorder II part is taken down (two octaves or so) to serve as bass line.
All three movements
Duet for two recorders in d
2nd mvt. (in F), Poco presto
G. F. Handel (1685-1759):
"The Entry of the Queen of Sheba" from Solomon, transposed from Bb to C
D. Scarlatti (1685-1757):
(Keyboard Sonatas, with Kirkpatrick, Longo, and Pestelli numbers)
K. 531, L. 430, P. 535 in E, transposed to Bb
with optional change, midway through, to Alto in Eb
F. J. Haydn (1732-1809):
String Quartet, Op. 33, No. 2 "Joke" in Eb, transposed to F
4th movement
String Quartet, Op. 33, No. 3 "Bird" in C, in original key
4th movement
L. van Beethoven (1770-1827):
String Quartet No. 16, Op. 135, in F
2nd mvt. Scherzo in F transposed to Bb
J. V. Vorisek (1791-1825):
12 Rhapsodies for Piano, Op. 1
# 4 in F, in original key
F. P. Schubert (1797-1828):
String Quintet in C, D. 956
2nd mvt., at pitch, i. e., in E major for old-pitch recorder (fingering in F), doubling modern-pitch bass, accompanied by keyboard (at modern pitch)
Erik SATIE (1866-1925):
6 Gnossiennes, for Piano Solo, at original pitch/8ve higher
No. 4 for Alto/Optional Bass
No. 5 for Fourth Flute @415
No. 6 for Fourth Flute @415
Pièces Froides I: "Aires à faire fuir", for Piano Solo, transposed up a fourth
All three movements
"Musique d'ameublement" (Furniture Music), at pitch, doubling Sopranino, Soprano, Alto and Bass
No. 1 Carrelage Phonique
No. 2 Tapisserie en Fer Forgé
No. 3 Tenture de Cabinet Préfectoral
No. 4 Chez un “Bistrot”
No. 5 Un Salon
PLEASE DON’T FORGET TO CHECK THE CATALOG—AND THE LINK TO “PIECES FORTHCOMING WITHOUT KEYBOARD PARTS”—FOR MORE PIECES IN THIS CATEGORY.